Today's News & Views
October 25, 2007
 

Bella Begins Friday

It's not often that I receive the kind of all-out blitz from friendly sources that has attended Friday's opening in 29 markets nationwide of the movie, Bella. We've written about this extraordinary film in the September and October issues of NRL News and last week in this space. ["Bella: Bringing Respect for Life to the Silver Screen," www.nrlc.org/News_and_Views/Oct07/nv101907.html.]

Winner of the 2006 Toronto International Film Festival's "People's Choice Award," the movie was, predictably, bludgeoned by one of the Washington Post's movie critics. That just made me walk all the faster to my computer to order tickets online for a 7:55 performance. (You can quickly find out where the film is playing in your area by going to  http://bellathemovie.com/theater)

On NRLC's web site you'll read Liz Townsend's wonderful overview. Not only will you be intrigued by the storyline, you will be deeply impressed by the refusal of Metanoia Films to allow discouragement to set in.

The film treats the pressures a single woman with an unplanned pregnancy faces in a realistic and caring way. That, rather than the drivel of extraneous criticisms, is likely the reason the Post reviewer whacked away at Bella.

Earlier today, I read something which made me think of Bella. It was part of an interview author Donald Miller gave to radio host Dick Staub.

Staub asked Miller why he titled his book Blue Like Jazz. Miller replied,

"I was coming out of the Bagdad Theater in Portland one night, and I saw a man playing the saxophone. He kept his eyes closed the whole time. You could tell he just loved playing that music.

"Before I saw him, I didn't like jazz music because I thought it didn't resolve. It didn't seem to go somewhere or have a conclusion. But I watched this guy playing the saxophone. He loved it so much that I found that I liked jazz music. It is not uncommon for people to see somebody else love something and it helps them love it themselves." (Emphasis mine.)

Movies such as Bella are a dramatized version of what we collectively do, day in and day out: help women in extremely difficult circumstances choose life for their unborn children. This is enormously important work.

And when people see that you and I lovingly assist, rather than judgmentally condemn--that we love unborn children AND their mothers--it is easier for them to extend those same affections to women with crisis pregnancies. Abortion is not an answer, it is a response offered in lieu of genuine help.

A collateral benefit is that the public may come to see that far from the monsters the "mainstream media" paints pro-lifers us out to be, we are caring, genuinely loving human beings who refuse to buckle under to a torrent of criticism.

Of course, we'd rather approval rain down on our efforts; we're only human.

But what matters most is that we are faithful to the greatest movement for social justice of our time--the struggle to protect pregnant women and their unborn children.

Give yourself a break and go see Bella this weekend.