"Rock-Solid" Film or Rock-Solid
Head?
Part Three of Three
By Dave Andrusko
As a way of saying thank you to
all who were kind enough to
respond to my musings on the new
HBO Jack Kevorkian movie, let me
offer one more critic's take on
the Barry Levinson-directed "You
Don't Know Jack." He's
Washington Post Style columnist
Tom Shales, a relentlessly
unpleasant fellow who always
manages to draw the wrong
conclusion.
To say that his style is
hysterical is to dramatically
understate the obvious. Consider
the first paragraph of Shales's
review of this "rock-solid and
absorbing film" which is as
out-to-lunch as almost anything
I have ever read about a man
convicted of second-degree
murder.
In the end, or near it, Jack
Kevorkian put too much faith in
the system. He threw himself at
the mercy of the merciless.
Maybe "faith" isn't a word one
associates with the
self-appointed Angel of Death
who answered the prayers of the
suffering, but an excess of it
might have been his undoing --
and the reason he served eight
years in prison rather than, as
he had hoped, changing American
law.
I thought I had heard/read every
silly excuse/justification for
Kevorkian's rampage across
Michigan, but, boy, was I wrong.
Throughout the course of the
review of Saturday's premier,
Shales unmercifully trashes a
prosecutor ("fanatical") the
judge who finally sentenced
Kevorkian ("an unsympathetic
judge who metes out punishment
with appalling fervor"), and
those disability rights
activists who know an enemy when
they see one ("America's
ever-ready nut fringe, members
of which show up at his home in
states of pietistic
imbecility"). And those are his
gentler remarks.
In Shales's eyes, Kevorkian's
real failure is a child-like
innocence--trusting the system.
This about a guy who the
"system" exonerated over and
over and over again, even as he
grew more and more outrageous in
"assisting" in over 130
suicides.
Kevorkian, the ultimate American
innocent, is drenched in "naivete"
because he "thinks the logic and
compassion in his mission will
help him win out in the end."
If Shales had a clue what he was
writing about, he might
appreciate the real irony--that
in a real sense the system
"failed" Kevorkian by not
convicting him previously.
Kevorkian grew so bold that he
not only videotaped an assisted
suicide in which he directly
gave the man the lethal potion
but then--just to rub it in
prosecutors' faces--had it aired
on "6o minutes"!
Of course, what gave "You Don't
Know Jack" its buzz is that Al
Pacino starred as Kevorkian.
Shales writes,
"You Don't Know Jack" is really
a testimonial to the
perseverance and determination
of two powerhouse
individualists: Kevorkian and
Pacino. Thanks to Pacino, we
will remember Kevorkian more
vividly than we ever would have
otherwise -- almost as indelibly
as his patients would remember
him if they were still alive.
Kevorkian exposed nothing in the
legal system except how clever
he was at manipulating it to
serve his ends until he gave the
"system" no choice but to
respond. A man obsessed with
death, he will live forever so
long as there are useful dupes
like Tom Shales.
The review can be found at
www.washingtonpost.com/wp-dyn/content/article/2010/04/23/AR2010042304913.html
Part One
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